Point Of View Sequence In Hitchcock Rear Window

By shooting the entire film from Jeffs point of view Hitchcock was a true innovator in creating a subjective filmgoing experience.

Point of view sequence in hitchcock rear window. This is not the same as throwing together random shots into a fight sequence to create confusion. We spend every second by Jeffs. Dont avoid this basic technique. Structurally Alfred Hitchcocks 1954 classic Rear Window appears rather simple but when you examine the films editing complexity and intention is revealed.

Montage Gives You Control Divide action into a series of close-ups shown in succession. The point-of-view shots help to pull the audience into the film and to identify more with the characters most notably. The papers explores the ideas of Alfred Schultz on how we interpret social actions using the film The Rear Window by Alfred Hitchcok as an example. In the opening sequence of Rear Window the audience is presented to a static shot of a three paned window covered with blinds.

Almost every shot of the courtyard is shot from the heros point of view. Rear Window is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrichs 1942 short story It Had to Be Murder. Through employing the Kuleshov effect in the strategically cut scene of Miss Lonelyhearts attempted suicide Hitchcock adds to the suspenseful tone of the film by developing a guilty voyeur within each viewer. Point-of-view editing allows the audience to sit in the seat of our main character Jeff Jefferies and witness his reactions to what is going on in various neighbors apartments.

In a different scene Hitchcock uses parallel editing to build suspense. Rear Window Point of View. Sequence of the film is very effective as through a combination of camera shots camera movement music and mise-en-scene Hitchcock manages to skilfully establish a number of key pieces of information about the film. LB Jefferies point of view positions audience members to see exactly what he sees and therefore become voyeurs.

The fact that Hitchcocks point-of-view sequences often appear at moments of greatest narrative tension and viewer absorption may be part of the reason that we tend to assume a simple cause and effect relationship. From the moment the curtain rises in the opening sequence the audience is drawn into. Rear Window is a classic mystery film that was released on September 1st 1954 and directed by Alfred Hitchcock a revolutionary in voyeuristic cinema. The film is a traditional chronological narrativeno flashbacks or flash-forwards no postmodern jumping around or playing with concepts of time and space.

If another person looks at the character in point-of-view they must look directly at the camera. Alfred Hitchcock called Rear Window his most purely cinematic film. However the POV is rarely used inside Jeffs apartment. This builds the suspense and engages us more in the film and particularly what Thorwald is doing.

It is however worth noting and examining the many examples of point-of-view or subjective sequences which dont operate in the expected way. In order to control Jeffs world Hitchcock commissioned the largest set ever built. By maintaining the voyeuristic point of view from the rear window of Jefferies apartment the audience views the same events that Jefferies stumbles upon from the same limited perspective. POV is essential to the voyeur theme of Rear Window.

The opening sequence of Rear Window employs various film techniques to immediately establish underlying tension in its setting. One often overlooked element that Hitchcock employs in Rear Window turn viewers into voyeurs is editing. Arguably his best-received film Hitchcock cultivates a protagonist LB Jeffries James Stewart who relays the films message and exploration of scopophilia. In both Psycho and Rear Window Hitchcock uses point-of-view shots to place the viewer in the characters shoes.

Originally released by Paramount Pictures the film stars James Stewart Grace Kelly Wendell Corey Thelma Ritter and Raymond BurrIt was screened at the 1954 Venice Film Festival. There are two main purposes for his use of optical point-of view shots in Rear Window. One of the prime examples of Hitchcocks use of optical point-of-view shots is his 1954 film Rear Window. It was the first real slasher movie of the time period and some of the techniques Hitchcock employed were revolutionary for film history.

In Alfred Hitchcocks Rear Window the protagonist Jeffs love life is depicted to be complicated yet intriguing issue in the development of the movies plotBeing described to have an affair with Lisathe sophisticated near perfect lady he does not seem to intend to marry her because of his simply saying his being unready for that. Hitchcock is the renowned master of suspense because of his expert use of revealing just enough information to the audience to keep them on the edge of their seat as events unfold in the movies narrative. Hitchcock doesnt quite do thatbut frankly speaking he doesnt need to. Rear Window - Alfred Hitchcock - 1954 Rear Windows opening credits is with a static shot of a window from the inside of a room and the blinds on the window are going up one by one.

Hitchcock has drawn us into to participating through intellectual participation. When it comes to the effectiveness of style Psycho is the clear winner. One has to do with the story itself. Hitchcock has purposely limited our information by confining our point of view to that of Jeff.

The panning and close-ups of the neighbours are essentially point of view POV shots revealing what a certain character can see.

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